There’s a certain magic in percussion that doesn’t shout for attention yet changes the feel of the music. Rogerio Boccato has that magic. Across Vã Revelação, Sorte!, and Bastille Day, his playing is a study in subtle power—textures and pulses that guide...
The great drummer Antonio Sánchez doesn’t just play the beat—he builds the framework in which the music lives. On John Finbury’s Quatro, Antonio’s drumming acts as a living architecture, shaping the space for melodies to move and breathe. Whether driving the...
