The title track from John Finbury’s American Nocturnes – Final Days of July presents an original Americana composition arranged for a remarkable quartet. At the heart of the performance is Tim Ray on piano. A recipient of an NEA grant, faculty member at Berklee...
Dan Tepfer brings something unexpected to “Bastille Day”: a lineage of Baroque elegance fused with contemporary improvisational boldness. His piano voice interlaces with Magos Herrera’s lyrical finesse and Hamilton Berry’s cello warmth in a way that feels both ancient...
In “Bastille Day,” Hamilton Berry doesn’t merely play cello—he colors the air with deep emotional resonance. His voice folds effortlessly into the tapestry of the track, shaping its narrative with warmth and lyrical flourish. Recorded at New York’s Power Station, this...
There’s a certain magic in percussion that doesn’t shout for attention yet changes the shape of the music entirely. Rogerio Boccato has that magic. Across Quatro, Vã Revelação, and Bastille Day, his playing is a study in subtle power—textures and pulses that guide the...
Bruna Black’s voice carries the sun-soaked warmth of Brazil, yet it’s shaped with the precision and artistry of a seasoned performer. On Vã Revelação, her first collaboration with John Finbury and Green Flash Music, she emerges as both interpreter and...
