CANOVA DA MILANO Fantasias: 40; 21. Mon Père Si Ma Marie. EDUARDO SÁINZ DE LA MAZA Campanas del Alba. NÍN-CULMELL Six Variations on a Theme by Milan. REGINO SÁINZ DE LA MAZA Petenera. Zapateado. Rondeña. LAURO Valses venezolana: No. 3, Natalia; No. 2, Andreina. Suite...
Green Flash Music is pleased to announce the release of Tiento, the debut solo album of classical guitarist Brendan Evans, available January 30, 2026, on all major digital platforms. Produced by John Finbury, Tiento showcases Evans’s refined musical voice and...
Recording at Power Station at Berklee NYC At a time when many recordings are assembled remotely, I still value the experience of musicians playing together in the same room. Several of my projects have been recorded at Power Station at Berklee NYC, a studio whose...
A Musical Conversation That Continues John Finbury’s Brazilian compositions don’t imitate; they participate. From his first album of Brazilian jazz originals in 2015 to his most recent work with Bruna Black, Finbury has approached Brazilian music not as an outsider...
Emilio D. Miler: A Creative Partner Every composer who records regularly depends on collaborators who help bring the music fully to life in the studio. For me, that collaborator has been Emilio D. Miler. Emilio is a multi Grammy–winning producer whose musical...
Camille Bertault is a rare kind of artist, a virtuoso with a sense of mischief. She can set lyrics to a John Coltrane solo and deliver them with precision, yet never without a wink. Her collaboration with John Finbury began during the pandemic, with two transatlantic...
